One of the least explored consequences of the Internet is the political socialization of young people, who were born and raised with this technology and are their most prevalent users. To explore this issue we developed a theoretical frame that explains the potential of the Internet to act as a devise of political socialization, both as a traditional agency and as a place for young subcultures to rise. From the National Youth Survey conducted in Mexico in 2010 and 2012, we took a cohort of young, middle class sample, with access to this technology during their upbringing, and analyzed if their socialization process, intertwined with the Internet, has a consequence in terms of political participation, in comparison to other media and social agents. We found that there is indeed a relationship between the hard use of the Internet and political participation, but it is not significant. We conclude that at least in the dimension of participation, the presence of the Internet in young people´s socialization is not relevant, perhaps because of poor levels of political sophistication among that group.

This article is focused on the first season of TV series Homeland (Michael Cuesta, 2011), intended to make a sociological and political analysis of its content. For this purpose, a textual analysis methodology will be used taken from the political ideas of thinker Slavoj Zizek, specifically from his written work about the North American trauma after the 11S. In the same way, connections among law, body, and ideology in the tapiz narrative televisivo are addressed.

This research was specifically focused on the theatre of Universidad de
Concepción during the Popular Unit period (1970-1973). The objective was to
analyze social imaginaries of democracy and scenic art present in this artistic
group of southern Chile. By applying deep interviews to key actors, as an
instrument to collect data, and through a qualitative analysis with the ATLAS/
TI Show, it was possible to establish that social imaginary of art and democracy
were part of a political project where art was part of the regeneration proposed
by the left-wing politics of that period.