AbstractThe photographical image, because of the way its technical genesis is produced, has been related with the prints and the sign effects it supposes. Nonetheless, with the arrival of the digital image and the nature change associated to it, is it possible to sustain the same principle?
How to Cite
Vélez, G. M. (1). Appropriation for the look. The paradox of the "fingerprint" in the photographic image. Anagramas Rumbos Y Sentidos De La Comunicación, 2(3), 169-176. Retrieved from https://revistas.udem.edu.co/index.php/anagramas/article/view/1249
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